egafd.com

TEH BEST NIGHT OF MY LIFE
(2003,Pink'o)
Cast: Carolyn Monroe, Dynamite, Brandy Lyons, Tanya Danielle, Fanny Bravo, Sexy Luna,
Antonella Del Lago, John West, Scott Lyons, Trevor=Trevor Thompson, Dino
Bravo, Brett Rockman

Let me begin my asking, why does Carolyn Monroe not have her own film page
in EGAFD? She made some movies there, and she even directed some movies there.
She lived in Italy for a while and even learned how to speak Italian.

In any event she made this movie (in the USA) with some euro and US
male/female performers. The cast is well dressed and groomed and the scenes
nicely filmed in nice settings. The sound is sometimes not up to par, and the
unfortunate thing is that Carolyn Monroe does not engage in any b/g action.
She introduces each scene and talks with some of the performers setting up
each scene.

(1) Set in a living room, on a couch (Carolyn in nice red dress, and Tanya
in a silver/blue dress)
Carolyn Monroe, Tanya Danielle (les action with some use of a dildo)

(2) set in a living room, brown leather couch (Dino Bravo in tuxedo!).
Dino says a few words to her in English, which she does not understand at all,
and he quickly cuts to the chase and starts making love to her
Sexy Luna, Dino Bravo (brief anal, he jerks off on her breasts)

(3) set in a bathroom (nice dark blue color)
Fanny Bravo, Brett Rockman (anal, she jerks him on her tits)

(4) set in a living room
Antonella Del Lago, C. Monroe, Trevor
The two women have long lesbian session and much later they are joined
by Trevor. Carolyn withdraws to a couch nearby where she masturbates while watching the
other couple have sex (Trevor jerks off all over Antonella's mouth)

(5) Brandy Lyons and hubby Scott Lyons have sex on a bed (he jerks off all over her ass)

(6) set in bedroom, bed
Dynamite, John West (facial)

Len801 wrote:
> Let me begin my asking, why does Carolyn Monroe not have her
> own film page in EGAFD?
She doesn't fit any workable criterion for a 'Euro girl'. Tracey Adams is a
similar case, and more prolific in terms of Europe, and she doesn't rate
a page of her own either [I don't know if TA directed, or learnt a Euro
language either, but that wouldn't affect the argument].


> In any event she made this movie (in the USA) with some euro
> and US male/female performers.
My personal 'line in the sand' would be the inclusion of any flick containing
the scarily brother-and-sister-like Lyonses.... not on my watch. bro'- not
until they prise the keyboard from my cold, dead hands : -))

That said: Pink'O seems to be the only distributor- and we can't be sure
the Euro scenes weren't shot over here- which is why the film itself makes
the cut.

I anticipated you would make a comparison to Tracey Adams.
Carolyn Monroe is really somewhat different. She just did not travel to France
to shot a porn movie now and then. She starred in about 6-7 movies there, and
lived and worked in Italy for a few years and even directed a handful of Euro movies there.
(She even married a local producer there), abnd she even learned to speak Italian quite passably,
which you can hear when she speaks to Del Lago in sc. 4.
Tracey Adams did a handful of euro movies in France/Germany, and I think even
directed a rather dreadful movie in Russia, that hardly anyone recalls of has ever seen.
If any non-Euro performer deserves to be in EGAFD, surely it should be Monroe.
I really do not know what drove her to return to the USA, after living and working in Europe and Italy
for quite a few years. She really was an ugly duckling in her early US porn career, but after a substantial facial and boob
job that radically changed her looks, she went to France that really boosted her career. Without that
European "period" I doubt she would be that well known today on both sides of the Atlantic.
In any event, although I understand the argument against such inclusion, I always thought that
she merited a personal listing as she integrated herself more in Euro porn filmmaking
more than any other (occasional) "visiting" porn performer.

Len801 wrote:
> I anticipated you would make a comparison to Tracey Adams.
> Carolyn Monroe is really somewhat different.
Residency is not a criterion. The similarities outweigh the differences:
both born/raised in the USA, both did the bulk of their work there. If
she'd become naturalized then it might change.
Dru Berrymore, although to my mind entirely American, was born [I assume
as an 'army brat'] in Germany and gets in through the backdoor, as it
were, for her many Euro flicks, irrespective of any residency.
To my occasional annoyance Cubans etc. who work in Italy/Spain have
often been included, unless it can be proved they were 'holiday visa'
visitors- I've weeded out quiet a few of these recently. If they've done
more than a handful of films these, too, tend to get through 'on the nod'....
so, no hard-and-fast rules, except perhaps: No Americans : -)



> If any non-Euro performer deserves to be in EGAFD, surely it
> should be Monroe.
Having [on a different errand] just watched 'Gatto e la volpe' I agree.
But the "non-Euro performer" is the kicker.