Pornographie chez Madame Saint-Claude (1975)

[Denaniel]

In another thread I made an argument for why I think the unknown actress XNK2649 who plays Madame Saint-Claude is really Isabeau who played Karine in L'Essayeuse.

The following actresses are included in the cast list for Pornographie chez Madame Saint-Claude at other websites but not at Egafd:

Denise Dax is listed at both imdb.com and encyclocine.com, and is credited in ten films by IMDb and six by encyclocine, including Les Joyeuses (1974) and Jeune proie pour mauvais gar?ons (1977).

Isabelle Bourjac is also listed at both databases, but the only other film credited to her (by encyclocine) is Ind?cences (1975), where she is credited as Rataffia.

Olga Adabacha is credited here, and at the other two sites where she is also listed in another hardcore (gay) film titled Hommes entre eux (1976). Encyclocine also lists her in a film called Le Ringard (1977), starring Erika Cool, Dani?le Deslandes (may be an aka for Emmanuelle Pareze) and Manuel Pluton.

[Denaniel]

Just learned the following from a fellow collector of French classics:

Laura Laure = Lore Lore = one of the AKA's of Erika Cool
Radia Najem = Eva Khris (probably her real name - from Morocco)
Isabeau = Isabelle Bourjac
Olga Abadache = Teacher of the ballet (non-sex)

As I mentioned above, encyclocine lists Isabelle Bourjac in Madame Saint-Claude and in Ind?cences -- and in the latter film she is credited as Rataffia. Checking the photo gallery here for Rataffia, it is clear to me that she is Isabelle/Isabeau wearing a blond wig.

[skatschko]

FWIW, I am very much convinced that XNK 2649 = Isabeau = Isabelle Bourjac. The argumentation about Rataffia also makes sense, but it's true that the blonde wig handicaps a lot the comparison.

[boa]

By the way, I have the VHS of LES HOMMES ENTRE EUX (France 1977) directed by Norbert Terry.
Olga Abadache is also soft inside it, playing the wife or the mother of one of the boys, in my memory, though all the movie is an hardcore one and a quite funny and surprising one too, sometime a little surrealistic, as often with Terry's movies of that time, since the same can be said about his LES PHALLOPHILES shot at the same period.