Attn: Alec

[jj]

Re. 'Perversions of the Damned', how should I proceed with
Zarina [all-US output] and Alexandra Nice [the latter currently
listed only for 'Heritage de Laure' and whose canon is otherwise
also entirely US-made]?
'PotD' was shot entirely in San Francisco and L.A.

4WIW my take would be to exclude the film altogether; and
perhaps it might be better to list AN for 'H de L' merely as
an 'also stars'...

[alec]

jj wrote:

> Re.
> 'Perversions
> of the Damned', how should I proceed with
> Zarina [all-US output] and
> Alexandra
> Nice [the latter currently
> listed only for 'Heritage de Laure' and whose canon is
> otherwise
> also entirely US-made]?
> 'PotD' was shot entirely in San Francisco and L.A.
>
> 4WIW my take would be to exclude the film altogether; and
> perhaps it might be better to list AN for 'H de L' merely as
> an 'also stars'...
>

Since everyone else in that title seems to be American or US-based with an entirely US filmography (Amber Michaels born in Germany, Alexis Amore Brazilian), I agree. I'll remove the title and Zarina and put the appopriate note against Heritage de Laure.

If anyone finds more European work for these two we can consider putting them back later.

Thanks.

[jj]

Fair enough.
I had in mind the recent discussion about Coco Brown, and
the example of Dru Berrymore, as the polar opposites of the
instances here.
As an aside this also clarifies the position for another couple of
Private titles [see much, much later] whose inclusion here I'd
also have been hard-presed to justify.