iafd - euro listings

[Deuce Bigolo]

having just looked up euro pornstar karina S from woodman castings 2

[IMG]http://thumbnails15.imagebam.com/5046/28b4ad50450168.gif[/IMG][IMG]http://thumbnails20.imagebam.com/5046/80d74d50450159.gif[/IMG]

I discover a performer from private castngs 37(2002)is in her place even though the bio says worked 1997-1998

[IMG]http://thumbnails20.imagebam.com/7750/f26be377496053.gif[/IMG]





Scratching head when its as easy as going over to her other listing and see she only did 3 films




I guess the having 2 sources for info and vidcap or back cover proof still applies even today

[jj]

Walter has orated at length, here and elsewhere, about the
shortcomings of his US-centric fellows when it comes to Euro
perfs.
Ideally, all iafd Euro submissions would be channelled through
him and his cohorts, but there simply isn't enough will, time or
energy for this to be achievable. All you can do is correct the
odd error wherever you see one.... even small drips will gradually
erode the Wall of Ignorance [just left of the Slough of Despond,
after the Pool of Serendipity].

[Walter Burns]

Some remarks.

1. Why complain about a mistake on IAFD on the EGAFD forum? I just happened to read this by chance. It's the first time I have visited here in months.

2. EGAFD has it wrong as well. Russian Karina and Hungarian Lydia are obviously different girls while they have been combined on EGAFD as Lydia [5].

3. None of this is really simple to me. For instance, I still have to figure out if Lydia is the same girl as Orsi.
(I am 99% convinced they ought to be merged right now.)

[Walter Burns]

Walter Burns wrote:


> 2. EGAFD has it wrong as well. Russian
> Karina
> and Hungarian
> Lydia
> are obviously different girls while they have been combined on
> EGAFD as
> Lydia
> [5].

... and Lydia [6].

[jj]

Nice to hear from the, um, horse's mouth : -)

Walter Burns wrote:
> 2. EGAFD has it wrong as well.

I hadn't seen this. There seems little similarity between the two
and it's hard to understand- especially with the 'tie-breaker' of
Orsi/Lydia's 'butterfly'- how they became conflated in the first
place. I suspect the error may have originated with whoever
submitted the data on the 'Castings' series- many of which I
haven't seen.


> 3.... I still have to figure out if Lydia is the same girl as
> Orsi. (I am 99% convinced they ought to be merged right now.)

I did think we'd discussed this previously; for EA2/5- certainly;
for the other, I have no idea.

[Deuce Bigolo]

I only posted it here because my email is playing silly buggers so I was unable to send a direct mail to the contact us drop down addy iafd@iafd.com -

assuming this is where corrections should be sent to?

[jj]

Easier to use the Corrections tab at the bottom of the page?

[alec]

Thanks all for the corrections. However, there still seems to be a little confusion re Tatiana 1 and 2, comparing iafd and eurobabeindex.

Are both Lydia and Karina in Tatiana 2?

Could someone list which titles belong to which? Thanks.

And are we talking about two girls or three, the third being the blonde from Castings 37? (Though the date isn't necessarily significant as the Castings scenes in any one title could come from a range of dates.)

[jj]

alec wrote:
> Are both Lydia and Karina in Tatiana 2?
Yes: Karina shares sc. 2 with Inga; Lydia shares sc. 3 with
Myrka. Neither appear in part 1.


> Could someone list which titles belong to which? Thanks.
....err... have to get back to you on that one, although for
now Lydia's definite for 'Stupri' but it's probably Karina
in TX27.
For the future, might it not be a good idea to float a few
caps of the more 'marginal' Castings appearees here for
scrutiny, before merging any of them with existing [slightly!]
better-known faces?

[Deuce Bigolo]

I must be blind or mybrowser is holding out as the only button for contacting in regards to page changes relates to Bio info

Not that it really matters with me as I havent seen enough of the other performer/performers involved to really be making an informed correction in regards to what films belong with who