Alice Cortesi - additional info/titles

[Len801]

Alice CORTESI
(aka: Alice, Alice Ferrari)

She is a chunky, very busty, long-haired brunette who had a brief porn career around 2006-2007

CICCIONE ARRAPATE 3
(2006,Pink'o)
dir: Ludovico Reggiani
cast (box cover billings): Vanessa Rey, Simona Fogli, Carmen Busi, Alice Ferrari=Alice Cortesi, Mary Cantoni, Marco Barnet, Falco Rebel, Pierre DJ, Gio Ranger

Alice Ferrari appears in the last scene with Marco Barnet/Zanotti. The other female performers are fatties, who do not seem to be listed in EGAFD (at least not under those names)
This movie was released in the US by Gentlemen's Video under the title FAT SEX IN THE CITY 4 (the DVD cover indicates a production date of Feb. 2006)



DOPPIA ALL?ITALIANA
(2007,Pink'o)
dir: Roby Bianchi
ca 108 min
[IMG]http://img226.imagevenue.com/loc497/th_334704770_doppiallitaliana_cover_123_497lo.jpg[/IMG]
cast (box-cover billings): Tera Joy, Alice=Alice Cortesi, Chris=Chris Ebony, Simona=Simone De Marco, Julia, Christine Doll, Omar=Omar Galanti, Matteo, John, Fausto Moreno, Marco Nero, Giorgio Grandi
Note: Alice appears in scene 3 with Omar Galanti and Teo Mantera
see here:


ERA MIO PADRE 3
(2006,FM Video)
dir: Eros Grimaldi
runn time: 72 min
cast (none given on box cover)
Note: Alice appears in last scene with Marco Zanotti (they fuck on a blue-covered couch) in a "brother-sister" incest scene
[IMG]http://img288.imagevenue.com/loc109/th_337865202_eramiopadre3_front_123_109lo.jpg[/IMG]


SESSO FUORILEGGE 2
(SESSO FUORILEGGE, Atto Secondo)
(Showtime)
dir: Silvio Bandinelli
cast (box cover billings): Baby Marilyn, Celine Dior, Selvaggia, Alice Cortesi, Sophie Estrada, Pada Neck
[IMG]http://img13.imagevenue.com/loc526/th_233383412_SessoFuorilegge2_cover_123_526lo.jpg[/IMG]
Note: It strongly appears that this is a compilation of scenes which have appeared in other releases (most likely from Showtime).
= Baby Marilyn:
= Celine Dior:
= Selvaggia:
= Sophie Estrada is a busty blonde, not listed in EGAFD, who appeared (with Marco Nero) in the second episode entitled "L'Ultimo Cliente" of STUPRI ITALIANI 16: VIOLENZA OPERAIA (2006,Showtime) (dir Andy Casanova) (title apparently not yet in EGAFD, but it stars Baby Marilyn/Matteo Cantelli=Teo Mantera, Victor in first episode, called "Violenza Operaia"; and Ginevra Corsi=Ginevra Hollander/Antonio Vesuvio/Letizia Bruni/James Palace in 3rd epside entitled "Furia Cieca". In this last episode Ginevra is a blind distraught girl who speaks briefly on the phone with her "sister" Letizia Bruni, who is not involved in any sex scenes). From what can observed from the DVD box cover of SESSO FUORILEGGE 2 and the Estrada/Nero scene of STRUPRI ITALIANI 16 (found in streaming on the web), it is the same scene.
[IMG]http://img253.imagevenue.com/loc338/th_333269495_sophieestrada_01_123_338lo.jpg[/IMG] [IMG]http://img227.imagevenue.com/loc368/th_333341395_sophieestrada_02_123_368lo.jpg[/IMG] [IMG]http://img184.imagevenue.com/loc611/th_333410287_SophieEsttrada_03_123_611lo.jpg[/IMG] [IMG]http://img220.imagevenue.com/loc676/th_333729333_SophioeEstrada_04_123_676lo.jpg[/IMG]
=Pada Nek, is the black performer listed in EGAFD as Paula Black:
http://www.erosdvd.it/DVD/80740/SESSO_F ... CONDO.html
[IMG]http://img275.imagevenue.com/loc145/th_423292958_SessoFuorilegge2_cover_123_145lo.jpg[/IMG]


STUPRI ITALIANI 17: L?UOMO SENZA VOLTO
(2007,Showtime)
dir: Andy Casanova
runn time: 93 min
cast: Federica Tommas (billed and shown on box cover)
EGAFD only lists Federica Tommasi for this title, but there also Stella Foliero and Alice Cortesi

Alice Cortesi appears in the episode entitled "L'Adultera" with Leonardo Conti and Leo Sanese
[IMG]http://img268.imagevenue.com/loc505/th_336804970_uomosenzavolto_cover_123_505lo.jpg[/IMG]


UNA VITA IN GIOCO
(2007,Moonlight)
dir: Roby Bianchi
runn time: 100 min
cast (billed on box cover): Priscilla Salerno, Federica Tommasi, Alice=Alice Cortesi, Justin Moore=Justine Moore, Fausto Moreno, Giorgio Grandi, Jovx, + a black male
Alice Cortesi appears in first scene with Jovx, and two other additional scenes
[IMG]http://img267.imagevenue.com/loc110/th_337676784_vitaingioco_cover_123_110lo.jpg[/IMG]

[jj]

Thanks.

[Len801]

Generally when you post a "Thanks" message, it means you are done with the
the poster's submmission and have made the necessary modifications in the database.
However I notice the (unprocessed) omission of a couple of titles in my post
CICCIONE ARRAPATE 3 and ERA MIO PADRE 3, and I assume EGAFD does
much favor the idea of including evident compilation titles like SESSO FUORILEGGE 2).

[jj]

Len801 wrote:
> CICCIONE ARRAPATE 3
Load of names I've never heard of, no pics.

> ERA MIO PADRE 3
One name only. But I may have a copy somewhere....


> and I assume EGAFD does [NOT]
> much favor the idea of including evident compilation titles
> like SESSO FUORILEGGE 2
No; and especially since the prinicpal interests attendant thereupon - Ms
Estrada and 'Violenza operaia' - have been added.

[Len801]

I DO understand your stance on one-performer entries, however there are countlerss
titles in EGAFD (IAFD has them too) with practically no information other than a title and one performer.
But perhaps when you have a pretty decent date of release, a distributor, a director name,
some fair considerations for inclusion should be given.
What is the point of a databse if you will only include a title that has a certain
discretionary amount of info?
I am not making a case/argument for just the titles listed in this post, but all
future potential submissions.
EGAFD did not get started with titles having 6 performers, date of release, director name,
distributor name, etc. A movie database (especial a porn one) is something you keep adding to and
amending along the way, as information flows from inside and outside.
Just my two cents, and I don't want to start a flaming war...
EGAFD inthe beginning had no headshots or photo gallery to speak of, and it
has grown from that...

[jj]

Len801 wrote:
> I DO understand your stance on one-performer entries, however
> there are countlerss titles in EGAFD (IAFD has them too) with practically no
> information other than a title and one performer.
All the more reason not to compound the situation.

> But perhaps when you have a pretty decent date of release, a
> distributor, a director name,
> some fair considerations for inclusion should be given.
> What is the point of a databse if you will only include a title
> that has a certain discretionary amount of info?
Simply: time. In an ideal world I'd add everything, but given a choice
between spending scarce and precious time making a fairly comprehensive
entry for one film; or five 'one-horse' entries, you can guess my preference.
Or to put it another way: quality over quantity : -)

[Len801]

Or to put it another (and very respectuful) way, it is much better to spend
time on figuring out whether an X (unknown) is in this or that movie
(look at the postings on this on subsequent pages of this forum alone).

[jj]

Len801 wrote:
> Or to put it another (and very respectuful) way, it is much
> better to spend
> time on figuring out whether an X (unknown) is in this or that
> movie
> (look at the postings on this on subsequent pages of this forum
> alone).

If I undertand you aright: are you saying that no attempt should be made
to put names to XNKs?

[Len801]

Not at all. Great misunderstanding.
I firmly believe that EVERYTHING is important when it comes down to cataloguing
porn.
What we are likely to disregard today as unimportant and insignificant
may be quite relevant and important tomorrow. From running time, director name,
alternate titles/versions, cinematographer, other production crew credits, how people
are billed on cover and on-screen, etc.
If only a director name was relevant for database purposes, would you know who was
the cinematographer for DEEP THROAT or other Damiano's films? Would you know that
that Antonio Adamo prior to directing was a cinemaographer?
What was EGAFD or IAFD in the beginning is hardly what they are today. There were
no performer head shots, no description of tattoos, no dates of birth, how they
were billed in the various titles listed. Dates of production/release.
You may see a movie today, and have no clue as to who a certain performer is,
and then you later discover he/she did other movies (under other names).
We are thankful for the possibility of taking screenshots, of placing them in the database,
of being able to discuss it in a forum like this. And to even provide a partial or full resume
of plot and scene breakdown. It may not look to be important, but a web database is not really
for internal purposes but much to do with people on the outside consulting it
and continually making it better by additions, and corrections.
I don't dismiss cataloging an unknown performer nor a title when only ONE female
performer is known. It has nothing to do with quantiy or quality.
Can you imagine what was running through the heads of the various pioneering founders of the world cinematheques
when they were trying to track and preserve anything they could get their hands on? What if they
only had considerations for the domestic product or works by certain known directors
or actors/actresses? A lot of movies/documentaries/newsreels would be lost forever just because
someone thought that certain films were not worth keeping/preserving for future
generations.